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PORTMEIRION: ITALY IN THE HEART OF WALES
by Pam Hobbs
Like most architects, I suppose, the late
Sir Clough Williams-Ellis dreamed of building
something special for which he would be
remembered long after he was gone. The thrust
behind his dream was a community that
illustrated how land could be enhanced rather
than defiled by development. Sensibly, he
created his fantasy on practical foundations,
and now more than
50 years after it
opened, Portmeirion
receives 200,000
visitors a year
When he returned
from World War l,
Sir Clough began
searching in
earnest for a site.
A keen sailor, he
looked at some two
dozen islands off
Britain's coast
before settling on Portmeirion eight
kilometres from his home. While spectacularly
steep terrain might have deterred some, he
looked at the achingly beautiful peninsula
with towering cliffs and sandy bays and
imagined colourful Italian-style villas
studding the lush vegetation.
In the early 1920s the village took shape,
and since dreams can be costly, the sea-washed mansion on the estuary was converted
to a hotel. More guest accommodation was
added over the years, with modern
conveniences and comforts concealed by
magical facades.
Awash with colour, the village core is a
graceful piazza enhanced by fountains and
formal gardens, interesting sculptures and
multi-hued buildings all around. Over time
Portmeirion became a refuge for abandoned
buildings, pavilions and statues. Although
few fit into the Italian theme they blend
artfully into the overall scene, so that an
enormous gold Buddha
and Ionic columns
look surprisingly at
home.
During the
crowded summer
season day-visitors
do not see
Portmeirion at its
best. Most shuffle
around for an hour
or so, look at the
shops and have a
bite to eat before
moving on. That's a pity. To get a true sense
of what it is about you must sample the
unique overnight accommodation and rise early
to the sound of cooing doves. Walk through
the gardens when only the most dedicated
photographers are up. Hike in the woods where
a giddy profusion of rhododendrons grow, or
along the footpath around a bay to secluded
beaches and princely views.
The original waterfront hotel destroyed by
fire in l981 is now more beautiful than ever.
Village accommodation is as eclectic as
everything else here. Mine, overlooking the
estuary, reminds me of Dylan Thomas' Boat
House with the tide lapping at its
foundations and sea birds hovering outside.
My comfort though is more assured than the
poet's ever was, and a heated swimming pool
on the lawn robs nothing from the natural
setting. More guests are housed in self-catering units equipped for two to eight
people. All are furnished for full
housekeeping.
Although the village has been written up
in countless architectural magazines and
guidebooks, I believe its pottery has brought
even wider recognition. Artist Susan
Williams-Ellis began designing the Portmeirion cookware,
kitchen and table accessories some 30 years
ago. By far the most popular is the series
known as Botanic Garden, using boldly painted
thistles, herbs, flowers and plants taken
from nineteenth-century nature history books.
Room rates in the hotel and cottages in
summer are approximately $300 and $250 per
night for two people, with reductions for
winter and mid-week breaks. The village has
several stores, including one selling
Portmeirion china (seconds) at reduced
prices.
VACATION PLANNER; Portmeirion is roughly five
hours' drive from London and l40 km from
Manchester airport. For more information or
reservations write Portmeirion, Gwynedd, LL48
6ET. Telephone 01766 770228. Or e-mail:
hotel@portmeirion.wales.com.
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